音楽家。「BOREDOMS」「ROVO」「PARA」ほか、多数のバンド／ユニットやソロワーク、内外の音楽家とのセッション等で、プレイヤー／ソングライター／コンポーザー／プロデューサーとして、ワールドワイドに活動を展開。『ファルセット』『LIGHTS』他アルバム多数、映画音楽も手がける。また文筆家、画家、写真家としても作品発表を続ける。著書に『イマユラ』『ギンガ』『ゆん』など。
http://www.japanimprov.com/syamamoto/

He is a musician who plays in “BOREDOMS,” “ROVO” and “PARA,” and is involved in numerous other bands, units and solo works, while also engaging in worldwide activities as a player, songwriter, composer and producer through sessions with domestic and international musicians. He has released “Falsetto,” “LIGHTS” and numerous other albums, and also produces music for movies. Furthermore, he continues releasing works as a writer, artist and photographer. His books include, “IMAYURA,” “GINGA” and “YUN.”
http://www.japanimprov.com/syamamoto/

なげかけ＆たどり の作家、パフォーマー。音の「自修イベント」（1963年）を開始。サウンドオブジェによる初個展（1976年）、南画廊 東京。80年代、コンセプチャル・サウンド・ワークを展開し、ドクメンタ 8 カッセル（1987年）にてパフォーマンス。サウンドプロジェクト〈一日の自然に耳を澄ます〉「日向ぼっこの空間」（1988年）を遂行。90年代、音を介したインスタレーションを開始し、1996年のソナンビエンテ・フェスティバル（ベルリン）にて発表した「点 音（o to da te）」を、世界各地で展開してきている。最近では、東京都現代美術館 屋外展示の “no zo mi”（2019年）、熊野古道なかへち美術館個展 “内在（na i za i）”（2018年）がある。カムデン・アーツ・センター（ロンドン、2018年）での毛利悠子の個展「Voluta」会場にて演奏。即興演奏家とのコラボレーションも多い。
https://www.akiosuzuki.com/

He is an artist and performer who engages in “throwing” and “following.” He began “self-study events” focusing on sounds (1963). He held his first private exhibition (1976) using sound objects at Minami Gallery, Tokyo. In the 1980s, he developed a form of performance he called, “conceptual soundwork,” and performed at Documenta in Kassel (1987). He also held the sound projects, “Listening to the Sounds of Nature for a Whole Day” and “Space in the Sun” (1988). In the 1990s, he began creating installations using sounds, and launched the “O to da te” project throughout the world, which he unveiled for the first time at the Sonambiente Festival (Berlin) in 1996. His recent works include “no zo mi” (2019), an outdoor exhibition at the Museum of Contemporary Art Tokyo, and “na i za i” (2018) at Kumanokodo Nakahechi Museum of Art. He performed at Camden Art Centre (London, 2018) where Yuko Mohri’s exhibition, “Voluta,” was being held. Moreover, he often collaborates with improvising musicians.
https://www.akiosuzuki.com/

映画やテレビの音楽を山のように作りつつ、ノイズや即興の現場がホームの音楽家。ギタリスト、ターンテーブル奏者。活動は日本のみならず欧米、アジアと多方面にわたる。美術と音楽の中間領域のような展示作品や一般参加のプロジェクトやプロデュースワークも多数。震災後は故郷の福島でプロジェクトFUKUSHIMA! を立ち上げ、現在に至るまで様々な活動を継続中。2013年「あまちゃん」の音楽でレコード大賞作曲賞を受賞。2014年よりアンサンブルズ・アジアのディレクターとしてアジア各国の音楽家のネットワークづくりに奔走。2017年札幌国際芸術祭の芸術監督。2019年NHK大河ドラマ「いだてん」の音楽を担当。また福島を代表する夏祭り「わらじまつり」改革のディレクターも務めた。
http://otomoyoshihide.com/

He is a prolific musician who composes music for many movies and TV programs, and specializes in creating noise and improvising. He is a guitarist and a turntable player. He operates not only in Japan, but also in Europe, the U.S. and Asia. He has also been involved in exhibiting numerous works that fuse art with music, and producing projects with the participation of the general public. After the earthquake, he launched PROJECT FUKUSHIMA! in the prefecture where he was raised. He has been engaging in a variety of activities to date. In 2013, he won the Best Composer Award in the Japan Record Awards for the music he wrote for “Amachan.” Since 2014, he has been striving to establish a network of musicians in countries throughout Asia as the director of ENSEMBLE ASIA. He became the art director for the Sapporo International Art Festival in 2017. He was placed in charge of writing the music for the 2019 NHK Taiga drama series, “Idaten.” He also directed the reorganization of the Waraji Festival, one of the biggest summer festivals held in Fukushima.
http://otomoyoshihide.com/