CV

Yuko MOHRI
B. 1980 in Kanagawa, Japan. Lives and works in Tokyo.

Yuko Mohri is an installation artist. Her kinetic sculptures, using reconfigured everyday objects and machine parts, highlight various facets coming from the encounter between objects and invisible energies such as magnetism, gravity, wind, or light. She authorises uncontrollable and nonhuman elements to conduct within their networks, which are often compared to a self-contained “ecosystem”, incessantly channeling the surrounding environment.
In sound-based assemblages, Mohri’s approach has alluded to experimental artists Erik Satie, Marcel Duchamp and John Cage, particularly through their relationship to chance. Mohri brings contingency and improvisation into her installations, aiming to capture the appearance of the world and human essence through the eyes of new materialism. Her kinetic sculptures can be observed through the keywords such as coincidences (what happened by chance), errors (what should not have happened), portents (what might happen) and silence (what did not happen?). In recent years, she also works on video and photography using scanner, through these ideas.

In 2015, Mohri received a grant from the Asian Cultural Council for a 6-month residency in New York. In the same year, she received Grand Prix, Nissan Art Award. In 2016, Mohri has undertaken a residency with the Victoria and Albert Museum, London, and had in residence at Camden Arts Centre, London. In 2018, Mohri, as East Asian Cultural Exchange Envoy, visited 4 cities in China.
Mohri’s recent solo exhibitions include: Parade (a Drip, a Drop, the End of the Tale), Japan House São Paulo (2021), SP., Ginza Sony Park, Tokyo (2020); Assume That There Is Friction and Resistance, Towada Art Center, Aomori, Japan (2018); Voluta, Camden Arts Centre, London (2018); Dissémination, The National Museum of Modern Art Kyoto (2018); and her work has been included in group exhibitions such as: 23rd Biennale of Sydney (2022); 2021 Asian Art Biennial; 34th Bienal de São Paulo (2021); Glasgow International 2021 (2021); The 5th Ural Industrial Biennial of Contemporary Art, (2019); The 9th Asia Pacific Triennial of Contemporary Art, Brisbane (2018); Childhood, Palais de Tokyo, Paris (2018); Japanorama: New Vision on Art since 1970, Centre Pompidou-Metz (2017); 14th Biennale de Lyon (2017); Kochi-Muziris Biennale (2016) etc. Her works are in the collections of Centre Pompidou, Paris; M+, Hong Kong; Musée d’art contemporain de Lyon; Museum of Contemporary Art Tokyo; The National Museum of Modern Art Kyoto; Taoyuan Museum of Fine Arts; Queensland Art Gallery, Brisbane etc.

Moré Moré Tokyo (Leaky Tokyo). text by Lena Fritsch. Tokyo: Akio Nagasawa, Fall, 2022 (forthcoming)
I/O. text by Tomoko Yabumae. Oslo: Atelier Nord, Sept. 2021
Assume That There Is Friction and Resistance. text by Emma Lavigne, Kazuko Koike, Minoru Hatanaka, Kodama Kanazawa. Interviewed by Taisuke Shimanuki. Tokyo: Getsuyosha, Feb. 2019
After the Echo. Tokyo: After the Echo Project, Oct. 2018
Yuko Mohri. text by Sam Belinfante. London: Camden Arts Centre, July 2018
Grey Skies. poem by Sayaka Ohsaki. text by Hitoshi Nakano, Satoko “Tetta” Sugimoto. Kanagawa: Fujisawa City Art Space, Feb. 2018
Yuko Mohri. text by Richard Wentworth, Mark Rappolt, Edward Ball. London: White Rainbow, Apr. 2017.
ArtReview Asia, Autumn 2016, ArtReview, 2016 [cover, interview]
Yuko Mohri Anmerkung – Art Hack Day Transmediale, BCCKS (Tokyo), 2014 [e-book]
MORE MORE Tokyo [Water Leak Tokyo], BCCKS (Tokyo),2012 [e-book]

Ashmolean Museum, Oxford
Centre Pompidou, Paris
M+, Hong Kong
Musée d’art contemporain de Lyon, Lyon
Museum of Contemporary Art Tokyo, Tokyo
The National Museum of Modern Art, Kyoto
The Nissan Art Collection, Kanagawa
Obayashi Foundation, Tokyo
Queensland Art Gallery | Gallery of Modern Art, Brisbane
S-House Museum, Okayama
Taoyuan Museum of Fine Arts, Taoyuan
Takahashi Collection, Tokyo
Tokai Tokyo Securities, Tokyo
Towada Art Center, Aomori
21st Century Museum of Contemporary Art, Kanazawa, Ishikawa